2019年8月26日

Alice’s Adventures in Wonderland. Family at the Ransom Center day

Visit Alice’s Adventures in Wonderland on Saturday, April 25, between 10 a.m. and 5 p.m. and luxuriate in activities that are free the young and young at heart. You are able to participate in writing activities with teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program or build relationships Lewis Carroll–inspired math activities with local math literacy organization Math Happens. University of Texas at Austin museum theater students will lead visitors through the galleries. Additional activities include docent-led exhibition tours and story times within the theater. Family days are generously supported by a grant through the Austin Community Foundation, with in-kind support given by Terra Toys.

Below is a detailed schedule:

Teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program will lead writing activities at the top of the hour from 10 a.m. through 4 p.m.

Join a docent-led tour for the exhibition at noon, 2 p.m., and 4 p.m.

Enjoy story time in the theater at 1:15 p.m. and 3:15 p.m.

Follow University of Texas at Austin museum theater students through the galleries between 10 a.m. and noon.

Complete Lewis Carroll–inspired math activities with Math Happens while you tour the galleries.

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Before and After: “Alice’s Adventures in Wonderland” Movie Jecktors

The exhibition Alice’s Adventures in Wonderland features two 1933 toy paper film strips called Movie Jecktors. The movie strips portray two of the most extremely memorable components of the Alice story: “Down the Rabbit Hole” and “The Mad Hatter.” Images and text are printed in three colors on 35? strips of translucent paper. The strips are rolled onto wooden dowels and stored in colorfully printed little boxes. The Movie Jecktors might have been combined with a toy film projector to create a animation that is simple.

The Ransom Center’s Movie Jecktors required conservation before they could be safely displayed into the galleries. Both the wooden dowel while the storage box, which is made from wood pulp cardboard, had a acid content that is high. An acidic environment is damaging to paper. The Movie Jecktors had become brittle and discolored, and there were many tears and losses to your paper. The movie strips was indeed repaired in past times with pressure-sensitive tapes (the tape that is common all used to wrap gifts). These tapes are never appropriate for repairing paper that individuals desire to preserve since they deteriorate and sometimes darken over some time may also be tough to remove once in place.

Once the Ransom Center’s paper conservator, I removed the tapes using a tool that is heated reduced the residual adhesive using a crepe eraser. I mended the tears and filled the losses using paper that is japanese wheat starch paste. For the fills, the Japanese paper was pre-toned with acrylic paint to permit these additions to blend using the original paper. Regions of ink loss were not recreated.

People to the exhibition can see the certain areas of the filmstrips that were damaged, but those areas are now stabilized much less distracting. This kind of treatment reflects the practice of conservation to preserve, not “restore,” the object’s appearance that is original. Libraries, archives, and museums today often select the conservation approach as it allows researchers and other visitors a significantly better understanding of the object’s history, including damages that occurred, which might speak to the materials used in the object’s creation.

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Please click on thumbnails to enlarge images.

Easter weekend hours

The Ransom Center will likely to be open throughout Easter weekend, including on Friday, April 3, from 10 a.m. to 5 p.m, as well as on Saturday and Sunday from noon to 5 p.m.

Free docent-led gallery tours occur daily at noon and Saturdays and Sundays at 2 p.m. No reservations are needed.

Admission is free. Your donation will offer the Ransom Center’s exhibitions and programs that are public. Parking information and a map can be obtained online.

Please also be aware that the Ransom Center’s Reading and Viewing Room is open from 9 a.m. to 5 p.m. on April 4 saturday.

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John Crowley, whose archive resides at the Ransom Center, is an author that is american of, science fiction, and mainstream fiction. He published his first novel, The Deep, in 1975, along with his 14th level of fiction, Lord Byron’s Novel: The Evening Land, in 2005. He has got taught creative writing at Yale University since 1993. A particular 25 th -anniversary edition of his novel Little ultius legit, Big are going to be published this spring. Below, he shares how Lewis Carroll’s classic Alice’s Adventures in Wonderland influenced his very own work.

A critical ( sense that is best) reader of might work once wrote a whole essay about allusions to and quotes from Lewis Carroll’s Alice’s Adventures in Wonderland books in a novel of mine called Little, Big—a very Alice kind of title in the first place. A few of the quotes and allusions, while certainly there, were unconscious; the turns of phrase and paradoxes and names in those books are so ingrained in me which they simply form section of my vocabulary. I first heard them read out: my older sister read them to me when I was about eight yrs old. I don’t remember my reaction to Alice in Wonderland—except for absorbing it wholly—because for several books read or heard at certain moments in childhood, there’s absolutely no first reading: such books enter the mind and soul as if that they had always been there. I do remember my response to Through the Looking Glass: i discovered it unsettlingly weird, dark, dreamlike (it really is in fact the greatest dream-book ever written). The shop where the shopkeeper becomes a sheep, then dissolves into a pond with Alice rowing plus the sheep in the stern knitting (!)—it wasn’t scary, nonetheless it was eerie I was then becoming a connoisseur because it so exactly replicated the movements of places and things and people in my own dreams, of which. How did this written book find out about such things?

Another profound connection I have with Alice I only discovered—in delight—some years back in (of all places) the Wall Street Journal. In an article about odd cognitive and sensory disorders, it described “Alice in Wonderland syndrome:” “Named after Lewis Carroll’s famous novel, this neurological condition makes objects (including one’s own parts of the body) seem smaller, larger, closer or maybe more distant than they really are. It’s more common in childhood, often in the start of sleep, and might disappear by adulthood…”

I have tried to describe this syndrome to people for a long time, and do not once met anyone who recognized it from my descriptions. In my opinion it’s more odd a feeling than this, and much more ambivalent: personally i think (or felt, as a kid, almost never any longer) as if my hands and feet are vast amounts of miles distant from my head and heart, but in the time that is same am enormously, infinitely large, and thus those parts have been in exactly the same spatial relation to myself as ever, or even monstrously closer. It was awesome when you look at the sense that is strict not scary or horrid, uncomfortable but in addition intriguing. I wonder if Carroll (Dodgson, rather) had this syndrome. I’ve thought of including it to my resume: “John Crowley was born in the appropriately town that is liminal of Isle, Maine, and as a child suffered from or delighted in Alice in Wonderland syndrome.”